December 22nd, 2009 by

Founded in 2003, Skullcandy entered the audio accessories industry with the intent of integrating music with action sports and severe outdoor activities, for example skating or snowboarding. Simply because such athletic pursuits are so culturally associated with various genres of music such as hip-hop, punk, or hardcore, Skullcandy saw an opportunity to produce a collection of goods that would bridge the two and appeal to fans of either scene.

There is really a whole line of Skullcandy earphones ranging from extremely modestly priced earbuds perfect for simply enjoying one’s iPod about the subway, to top from the line models that provide the utmost in sound quality and dynamics. A typical feature can be a set of control buttons about the cord designed to operate with most mp3 players for ease of use in choosing songs and manipulating playback.

Numerous of their goods are also designed to work in conjunction with a wide variety of HTC and smartphones like the Blackberry or iPhone, featuring an in-line microphone for producing and receiving phone calls. Since their products are developed not simply for simple listening but use during the extreme circumstances likely encountered during outdoor activities – mountain biking or skateboarding or what have you – simplicity and ease of use is really a should. No sense in designing a item for sports enthusiasts that will distract them when they’re most likely to break their necks.

While earphones are perfect for much more active situations, offered their discrete stature and often modest price tag, there is a wide range of Skullcandy headphones much more suited to less than casual listening. On-Ear headphones provide greater sound quality, given their increased size and ability to physically hold better audio technology, offering a full range of bass and treble for a complete and even sound. Nonetheless, again, offered their size, they’re more prone to being smashed into trees and the like and so are less suited for use during extreme circumstances. But if you’re simply tooling along on a skateboard on your method to operate, you could definitely do worse.

Over-ear headphones are the kind one would specifically try to keep out of danger, given that they are typically leading from the collection in terms of audio quality. These are the kinds of headphones designed for DJs as well as the like, for use in a studio where optimum tonal top quality and levels in both bass and treble are absolutely required. There’s minimal sound cancelation or distortion, even at higher volumes, and all with the levels are crisp and clear, allowing each part of a song, whether it be a bass line or lead guitars to stand out sharply in high-definition.

This abridged overview of Skullcandy’s item collection is testament in and of itself to the design of the company’s initiative. They offer products for committed audiophiles who need hardware being a component of their job creating music, as well as products developed for those who prefer to merely enjoy it in the course of even the most strenuous circumstances. There’s even a line of top-notch microphone headsets designed for gaming about the likes of the Xbox 360. Their goal as a company is crystal clear and their commitment to it’s impeccable (hell, they even have a half-pipe inside their office headquarters in Utah), which makes for a collection of audio accessories that simply work.